"North Korea's Kŭmgangsan is one of Asia's most celebrated sacred mountains, comparable in fame to Mount Tai in China and Mount Fuji in Japan. The late Chosŏn (1650-1900) Korean elite went to Kŭmgangsan on pilgrimages to demonstrate and defend their high social status. Travelers used the mountain to cultivate practices such as naming sites, carving rock inscriptions, and joining a literary lineage. In pilgrimage, they sought an extraordinary experience that could be made only at a particular, nonsubstitutable site; they went on a journey of more than two weeks, following a prescribed route; and they journeyed to a locale that held significance for their religious, political, social, or cultural identity. Some Kŭmgangsan travelers expanded on the prescribed circular route to further demonstrate their social status, engaging with locales by leaving documentation of their visit. Based on multidisciplinary research drawing on literary writings, court records, gazetteers, maps, songs, and paintings, Carving Status at Kŭmgangsan transcends the traditional dichotomies between pilgrim and tourist by reconceptualizing pilgrimage in the premodern Korean context. The book will appeal to scholars in fields ranging from East Asian history, literature, and geography, to pilgrimage studies and art history"--

Carving Status at Kŭmgangsan: Elite Graffiti in Premodern Korea PDF

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