Table of Preface. Diane Wolfthal, ‘Florentine Bankers, Flemish Friars, and the Patronage of the Portinari Altarpiece’; Michael Rohlmann, ‘The Annunciation by Joos Ammann in Context, Function and Metapictorial Quality’; Creighton Gilbert, ‘Piero and Bouts’; Francis Ames-Lewis, ‘Sources and Documents for the Use of the Oil Medium in Fifteenth-Century Italian Painting’; Maria Clelia Galassi, ‘Aspects of Antonello da Messina’s Technique and Working Method in the 1470 Between Italian and Flemish Tradition’; Colin Eisler, ‘Flying Pictorial Carpets – Tapestries’ Transalpine Agendas’; Ingrid D. Rowland, ‘Agostino Chigi’s Flemish Connection’; Elizabeth Ross, ‘Mainz at the Crossroads of Utrecht and Erhard Reuwich and the Peregrinatio in terram sanctam (1486)’; Ingrid Alexander-Skipnes, ‘Northern Realism and Carthusian Bergognone’s Christ Carrying the Cross for the Certosa of Pavia’; Marina Belozerskaya, ‘Critical Importing Luxury Industries Across the Alps’; Barbara G. Lane, ‘Memling’s Impact on the Early Raphael’; Laura D. Gelfand, ‘Regional Styles and Political Margaret of Austria’s Monastic Foundation at Brou’; Yona Pinson, ‘Moralized Triumphal Chariots – Metamorphosis of Petrarch’s Trionfi in Northern Art (c. 1530- c. 1560)’; Frits Scholten, ‘Spiriti veramente Sculptors from the Low Countries in Italy, 1500-1600’; Nello Forti Grazzini, ‘Brussels Tapestries for Italian Cardinal Montalto’s Landscape with Animals Made by Jan II Raes and Catherine van den Eynde’. Bibliography.

Cultural Exchange between the Low Countries and Italy (1400-1600) (Museums at the Crossroads) PDF

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