Alfred, Lord Tennyson, was the leading poet of the Victorian Age in England and by the mid-19th century had come to occupy a position similar to that of Alexander Pope in the 18th. His poetry is remarkable for its metrical variety, rich descriptive imagery, and exquisite verbal melodies. But Tennyson was also regarded as the preeminent spokesman for the educated middle-class Englishman, in moral and religious outlook and in political and social consciousness no less than in matters of taste and sentiment. His poetry dealt often with the doubts and difficulties of an age in which established Christian faith and traditional assumptions about man's nature and destiny were increasingly called into question by science and modern progress. His poetry dealt with these misgivings, moreover, as the intimate personal problems of a sensitive and troubled individual inclined to melancholy. Tennyson may be seen as the first great English poet to be fully aware of the new picture of man's place in the universe revealed by modern science. While the contemplation of this unprecedented human situation sometimes evoked his fears and forebodings, it also gave him a larger imaginative range than most of the poets of his time and added a greater depth and resonance to his art. 20th-century criticism, influenced by the rise of a new school of poetry headed by T.S. Eliot (though Eliot himself was an admirer of Tennyson), proposed some drastic devaluations of his work. Undoubtedly, much in Tennyson that appealed to his contemporaries has ceased to appeal to many readers today. A more balanced estimate of Tennyson has begun to prevail, however, with the recognition of the enduring greatness of “Ulysses,” the unique poignancy of Tennyson's best lyric poems, and, above all, the stature of In Memoriam as the great representative poem of the Victorian Age. the perception of the poet's awed sense of the mystery of life, which lies at the heart of his greatness, as in “Crossing the Bar” or “Flower in the Crannied Wall,” unites his admirers in this century with those in the last. Though less of Tennyson's work may survive than appeared likely during his Victorian heyday, what does remain—and it is by no means small in quantity—seems likely to be imperishable. CONTENTS: The Poetry Collections POEMS, BY TWO BROTHERS TIMBUCTOO : A POEM POEMS, CHIEFLY LYRICAL POEMS, 1832 THE LOVER’S TALE. A FRAGMENT. POEMS, 1842 MISCELLANEOUS CONTRIBUTIONS TO PERIODICALS, 1831-1868 THE PRINCESS: A MEDLEY IN MEMORIAM A. H. H. MAUD, AND OTHER POEMS IDYLLS OF THE KING ENOCH ARDEN AND OTHER POEMS BALLADS AND OTHER POEMS TIRESIAS AND OTHER POEMS LOCKSLEY HALL SIXTY YEARS AFTER, ETC. DEMETER AND OTHER POEMS THE DEATH OF ŒNONE, AND OTHER POEMS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Plays QUEEN MARY: A DRAMA HAROLD: A DRAMA BECKET THE CUP: A TRAGEDY THE FALCON THE PROMISE OF MAY THE FORESTERS: ROBIN HOOD AND MAID MARIAN The Biographies TENNYSON AND HIS FRIENDS by Hallam, Lord Tennyson ALFRED TENNYSON by Andrew Lang TENNYSON’S LIFE AND POETRY by Eugene Parsons

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