FORMS OF LYRIC Foromfs Lyric � SELECTED PAPERS FROM THE ENGLISH INSTITUTE EDITED WITH A FOREvVORD � BY REUBEN A. BROWER COLUMBIA UNIVERSITY PRESS NEW YORK AND LONDON • COPYRIGHT @ 1970CO LUMBIA UNIVERSITY PRESS ISBN: 0-21J-03I3 4- X LIBRARY OF CONGRESS CATALOG CARD NUMBER: 78-121567 PRINTED IN THE UNITED STATES OF AMERICA � ACKNOWLEDGMENTS Acknowledigsgm reantte mfaudltelo yt hfeo llo-wfionprge r misstiooq nu oftreo cmo pyrightedF ambaeatnred Fr aibaelr:, forp ermistsoiq ouno teex trafcrtosTm h eodoRroee thke's "1\1ediattaO tyisotRnei rv earn"d" ThFea rF ielfdr,o"Tm h e FarF ielDdo. uble&d Caoym panfyop,re rmistsoqi uoonet xe trafcrtosTm h eodRooreet h"kMee'dsi taattO iyosntR eirv er" (copyr©i 1g69h0bt y B eatrRioceet hAkdem,i nistorfta hter ix EstatoefT heodore Raonedat nhe kxet)rf arcotTm h eodore Roethk"eT'hFsea rF iel(dc"o pyr©i g1h69t2b yB eatrice RoethAkdem,i nistorfta htEers itxao tfTe h eodoRroee thke, botfhr oTmh e CollectPeode mosf Theodore Roetrbeke; prinbtyep de rmisosfDi oounb le&d Caoym panIyn,cC .h arles TomlinOsxofno,Ur ndi verPsrieatsnysId ,v aOnb olenIsnkcy.,, fopre rmistsoqi u<!>onMt reT. o mlin"sTohnAe't sl anftriocm, " SeeinlgsB elieviTnhgeJ. ohHnosp kiPnrsef sospr,e rmistsoi on reprtihnaetr ticlIen e"vTihEteaa rbF:lr ee edaonmNd e cessity inL yrFiocr mW,o rdswoarntdAh f tebry,D "o na\lVde sling, whicohr iginalliyn EL aHp,Vp oelaX.rX eXdV IN,o .3 (1 969), pp5.4 41-( 6©T he JoHhonpsk iPnrse sCsh)a.r Slcersi bner's Sonfso,pr e rmistsoqi uoontH eo war1d\ -l"oTshsPe'r su ned Tree("c opyr©i 1g9h36 Ht o war1d\ 11wohsiscfi)hr, sa tp peared inTh eN ew Yorkearn idrs e priwnittpehed r misosfCi hoanr les Scrirb'Snsoe nfsr oFmi ndinTgh em Lostb,y H owari\dl oss. vVesleUynainv erPsrietsfyso ,pr e rmistsoqi uoont eex tracts froJma m'eVsr ig"hAtB 'lse ss(icnogp"y r©i 1g69h1bty J ames Wrighftr)o,Tm h eB rancJhV iNloltB reakb,y J amevsV right Vl ACKNOWLED GMENTS (WeselyaUnn ievrsiPtreys, i\s 1idldetoCwonn,.n ,169 )3.H olt, Rinehrata ndW instofno,pr e rmissitooqn u otReo beFrrtso t's "NeveArg aivnVo ulBdi drsS'o nBge tShamee ,""T hLeo ts Followaenrda, n'e 'xr tcatf orm" IC oulGdi evA ltlo T ime," formT heP oetoryfR oberFtr osetdi,t de byE dwarCdo nnery Latehm;c opyrig1h49t2 b yR oberFtr o;sc topyrig©h t197b0y LelseFyr oBsatla lntirnpeer;ti nebdy p ermissioonfH olRtin,e harta ndW intsonI,n cE.y er & SpottiwsoodLet,d .f,o rp er misosnti oq uotaen e xrtacftor mR andlJa ralrel'l''NseD xayt. " TheM acmillCaonmp anyf,o pr ermissitooqn u otaene xatcrt form RadnallJ anle'l"sN exDtay ,"p ublhiesdi nT heL ost Worldr;pe riendwt ihtp ermissoifoT nh eM acmilCloamnp a;n y copyrig©h tb yR andlaJ lrare1116,93 ;t ihsp ome oriignlayla p peardei nT heN ewY orkeArt.h enePuumbi lsheIrncs.f,,o p rer misosnti oq uoRtaedn alJlra re'l"slA gnig,"f roWmo mana t the WashingZtooonb, yR andalJlra re;cl olpyri1g9h©5t 41 690b y RanadlJla rr;er lelpitrnedb yp ermiosnso ifA theneuPmu b lsiher;st ihsp ome originaaplpalerdye i nP oerty.C itLyi ghts Booskf,o pre rmoinst soqi uoatene xtcrtfa roAmll eGni nesrbg's "Pome Rockte",f ormK addiasnhd OthePro emsc,o pryig©h t 1691b yA llGeinn esrbgr;e ptreibdny p ermiosnso ifC itLyi gsh t BooksH.a repr& RowP,u bilsehrIsn, cf.o,pr er msiisotno q uote ane xrtacftr oRmo bretE ly"'Slse Setto romnt hMee rriPtartk way,f"or mT heL ighAtr ountdh eB od,yb yR oberBtl yc;op y rihg©t 1692b yR oberBtl yb;y p ermiosnso ifH arepr& Row, Pubilsehr,sI ncF.ar raSrrt,a u&s G irouIxn.,cf, o prer misstioo n quotReo berLto well'"sS uknkH ourr,e"pi rntweidt thh peer misosnoi fF arrar,u s&S GtirorauxI,nc .f,r oLmi fSet duiebsy RoberLto wellc,o pryight1©9 5b8y R oberLtow ell. � FOREWORD Thee ssathyasft o llwoewrp er ese(nwtieotdnh ee x ceptiaotn ) twoc onferoefnt chEeens g lIinssht itthufietr esi:tn r,9 68on, "FreeadnoNdme cesins tithLyey rFiocr md,i"r ecbtyPe rdo fesRsoobre rt Latnhgsebe acuominn; 1d 6,99 o,n" Foromfts h e Lyridci,r"e cbtyte hdee d itIotmr a.y b en otetdh aitnt he transfirtoicmoo nn ferteopn ucbeal tiiocnt,h aer tihcaldsei s appeafrreotdmh tei tclheo sfeontr h viosl utmhele,o rsesfl ect inagn u neasisnheassrb eydt heed itaonrdh icso lleaIgfu es. "forcmso"m etsr aicllionuogdf Ps l aton"itshLmey,"ri sce ems tos uggaeF sotr imn deEevde.in nt hpel urfaolri,mas t rouble somtee rfmo arg eneraotfci roint wihcohs a vree jecttheed traditdiiocnhaolto of"m fyo ramn cdo nteBnuttt.h "o umgohs t ofu sc ang eatl oqnugi htaep pwiiltyh otuhtse e coonfdt he twot ermwsec, a hna rdlyf otlrao lnkg aabp oouetam n dn ot usteh e ofirro snteo fi tcsu rreeqnuti valentsp-asttructure, terdne,s iogrnd,eW rh.i lseo moeft hemsoer fea shiotnearbmlse havteh aed vanotfan gobete iansgs ocwiiatt"hec do ntetnhte,y" arseu bjteotc htse a maeb usaesos t hcerri ttiecram\lsV .em ay nomtur detro d issbeucittfw , e c arornya nyd iscoaubrosuet workosfl iterwaetm uursedt,i reacttt enttoci eornt iatienm s abstrfarcottmeh dwe h olWeh.a tewvoerrwd e u steo i ndicate thawtea raet tentdo"i tnhgii nrs e lattioot nh iasn'nd'o "tt hat inr elattoit ohnat th,e"ir asel watyhspe o ssitbhialwtiem t ayy freezthele i offte h peo eimn tloi fefloersmsu la. Thea uthoofrth se sset udiiwtei slb,le r eadsieleyhn a,vn eo t succumtbote hdit se mptawthiioelnxe,e rcciosmipnlgfe rteee - Vlll FOREWORD <lorni nt ehicrh oiocfte e rminaonlmdoe ghtyo dV.ai rosua st he essayisns uajebrceat n idn e mhpasitsh,ye are cahalrtlae cirzed byfl exiibtiiylna pproaancbdhy i mmediaocfry e osnpest ot he poemsu ndrec onsdieraitno.R eardswe itahp enchfaondrte fi niitonm ay amustehm eslevse withd isecroivntgh ei mplied definitioof"n ofsr mo"r " ylric"o, rw itchh lalgeinntgh meo re exipcliotn seT.w oa ssuomnpmsta iyb e poionuattsce odm mon tom osti,fn oatl olft, h ceon tbrutio:rt shvei eowfs tcruturaes evne,ta so bsveerodr dri ent ehe xprieeeno cfr edainagp ome, and theo fpv oeiteicwco mopsitaisao " nf mo rofp rocdeine"g -to useC oeltrdhigee aenx prioensa sdopteidno neo ft he esasy.sI na nhoetwre,r eaodf" thsee nosfoe r rdi ent hpeoe m;" inat ihrodf,t hpeoe t"'wsa oyf c ondiuncagtp oem"a nodf h is "rievn-einotans h eg osea lgo"n;i na f uotrho,f " thfiegu rae poemma k.e"Cs oleriitad pgpee,ia ssr tsti,lh pler edsiingge inus oft weenttihe-nuctrcyr ciitsiomfp oerty. Thee sssaa yraer radn ignce hronloogiocradlea rn,dt hye havbeee ns eleedtc ots hohwo wp oteso fd ifferpeernoitdsh vae "fonudt hefiorr mh,a"v eru cskot utt hrei idnidvuila wbaye tweeinm iitoaantn d feredoomf" ocnduicntga pome."T he colciltoeans a w holteh,o uhgarhdl yc onstitauh tsiitrnoygo f poetirlysl,rtu aets mseoo ft hwea yisn w hicthh hesi otryo f poreyti si nt hper oscsoe fb einrge wriAtgtaeinin.ts houbled emhpsazietdh after edm oist hkeey nto:et hwer itmearkse it abunadntcllye arc hatnghiantfg o rmosfl ryidce macnhda ng infgo rsom fc rciitmsi ofl yirc. REUBEAN.B ROWER HarvaUrndi versity ]a nua1r9y7,0 � CONTENTS .. FOREWORD Vil ReubeAn. B rower HarvardU niversity DRAB AND GOLDEN LYRICS OF THE I RENAISSANCE G.K .H unter UniversoiftW ya rwick 19 THE RE-INVENTED POEM: ' GEORGE HERBERT S ALTERNATIVES HelenV end/erB ostoUnn iversity 11\UTATION AS FREEDOI\.f: I7 I 7 -1798 47 W. KW.i msatt YaleU niversity ' WORDSWORTH S WH ELMING TIDE: 75 COLERIDGE AND THE ART OF ANALOGY A.R eevPea rker CornelUln iversity THE INEVITABLE EAR: 103 FREEDOl\tI AND NECESSTIY IN LYRIC FORI\1, WORDSWORTH AND AFTER DonalldV es/inUgn iversoiftE ys sex WILDNESS OF LOGIC IN :MODERN LYRIC 127 TVillfHo.mP ritcbarAdm bersCto llege x CONTENTS LYRICA ND MODERNITY PauDle M an TheJ ohHnosp kiUnnsi versity SUPERVISINCGO MMITTEE,I 9 69 177 PROGRAM 179 REGISTRANTS 181

Forms of lyric; selected papers from the English Institute. PDF

199 Pages

1970

4.614 MB

English

by Brower, Reuben Arthur

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Preview Forms of lyric; selected papers from the English Institute.

FORMS OF LYRIC Foromfs Lyric � SELECTED PAPERS FROM THE ENGLISH INSTITUTE EDITED WITH A FOREvVORD � BY REUBEN A. BROWER COLUMBIA UNIVERSITY PRESS NEW YORK AND LONDON • COPYRIGHT @ 1970CO LUMBIA UNIVERSITY PRESS ISBN: 0-21J-03I3 4- X LIBRARY OF CONGRESS CATALOG CARD NUMBER: 78-121567 PRINTED IN THE UNITED STATES OF AMERICA � ACKNOWLEDGMENTS Acknowledigsgm reantte mfaudltelo yt hfeo llo-wfionprge r misstiooq nu oftreo cmo pyrightedF ambaeatnred Fr aibaelr:, forp ermistsoiq ouno teex trafcrtosTm h eodoRroee thke's "1\1ediattaO tyisotRnei rv earn"d" ThFea rF ielfdr,o"Tm h e FarF ielDdo. uble&d Caoym panfyop,re rmistsoqi uoonet xe trafcrtosTm h eodRooreet h"kMee'dsi taattO iyosntR eirv er" (copyr©i 1g69h0bt y B eatrRioceet hAkdem,i nistorfta hter ix EstatoefT heodore Raonedat nhe kxet)rf arcotTm h eodore Roethk"eT'hFsea rF iel(dc"o pyr©i g1h69t2b yB eatrice RoethAkdem,i nistorfta htEers itxao tfTe h eodoRroee thke, botfhr oTmh e CollectPeode mosf Theodore Roetrbeke; prinbtyep de rmisosfDi oounb le&d Caoym panIyn,cC .h arles TomlinOsxofno,Ur ndi verPsrieatsnysId ,v aOnb olenIsnkcy.,, fopre rmistsoqi u<!>onMt reT. o mlin"sTohnAe't sl anftriocm, " SeeinlgsB elieviTnhgeJ. ohHnosp kiPnrsef sospr,e rmistsoi on reprtihnaetr ticlIen e"vTihEteaa rbF:lr ee edaonmNd e cessity inL yrFiocr mW,o rdswoarntdAh f tebry,D "o na\lVde sling, whicohr iginalliyn EL aHp,Vp oelaX.rX eXdV IN,o .3 (1 969), pp5.4 41-( 6©T he JoHhonpsk iPnrse sCsh)a.r Slcersi bner's Sonfso,pr e rmistsoqi uoontH eo war1d\ -l"oTshsPe'r su ned Tree("c opyr©i 1g9h36 Ht o war1d\ 11wohsiscfi)hr, sa tp peared inTh eN ew Yorkearn idrs e priwnittpehed r misosfCi hoanr les Scrirb'Snsoe nfsr oFmi ndinTgh em Lostb,y H owari\dl oss. vVesleUynainv erPsrietsfyso ,pr e rmistsoqi uoont eex tracts froJma m'eVsr ig"hAtB 'lse ss(icnogp"y r©i 1g69h1bty J ames Wrighftr)o,Tm h eB rancJhV iNloltB reakb,y J amevsV right Vl ACKNOWLED GMENTS (WeselyaUnn ievrsiPtreys, i\s 1idldetoCwonn,.n ,169 )3.H olt, Rinehrata ndW instofno,pr e rmissitooqn u otReo beFrrtso t's "NeveArg aivnVo ulBdi drsS'o nBge tShamee ,""T hLeo ts Followaenrda, n'e 'xr tcatf orm" IC oulGdi evA ltlo T ime," formT heP oetoryfR oberFtr osetdi,t de byE dwarCdo nnery Latehm;c opyrig1h49t2 b yR oberFtr o;sc topyrig©h t197b0y LelseFyr oBsatla lntirnpeer;ti nebdy p ermissioonfH olRtin,e harta ndW intsonI,n cE.y er & SpottiwsoodLet,d .f,o rp er misosnti oq uotaen e xrtacftor mR andlJa ralrel'l''NseD xayt. " TheM acmillCaonmp anyf,o pr ermissitooqn u otaene xatcrt form RadnallJ anle'l"sN exDtay ,"p ublhiesdi nT heL ost Worldr;pe riendwt ihtp ermissoifoT nh eM acmilCloamnp a;n y copyrig©h tb yR andlaJ lrare1116,93 ;t ihsp ome oriignlayla p peardei nT heN ewY orkeArt.h enePuumbi lsheIrncs.f,,o p rer misosnti oq uoRtaedn alJlra re'l"slA gnig,"f roWmo mana t the WashingZtooonb, yR andalJlra re;cl olpyri1g9h©5t 41 690b y RanadlJla rr;er lelpitrnedb yp ermiosnso ifA theneuPmu b lsiher;st ihsp ome originaaplpalerdye i nP oerty.C itLyi ghts Booskf,o pre rmoinst soqi uoatene xtcrtfa roAmll eGni nesrbg's "Pome Rockte",f ormK addiasnhd OthePro emsc,o pryig©h t 1691b yA llGeinn esrbgr;e ptreibdny p ermiosnso ifC itLyi gsh t BooksH.a repr& RowP,u bilsehrIsn, cf.o,pr er msiisotno q uote ane xrtacftr oRmo bretE ly"'Slse Setto romnt hMee rriPtartk way,f"or mT heL ighAtr ountdh eB od,yb yR oberBtl yc;op y rihg©t 1692b yR oberBtl yb;y p ermiosnso ifH arepr& Row, Pubilsehr,sI ncF.ar raSrrt,a u&s G irouIxn.,cf, o prer misstioo n quotReo berLto well'"sS uknkH ourr,e"pi rntweidt thh peer misosnoi fF arrar,u s&S GtirorauxI,nc .f,r oLmi fSet duiebsy RoberLto wellc,o pryight1©9 5b8y R oberLtow ell. � FOREWORD Thee ssathyasft o llwoewrp er ese(nwtieotdnh ee x ceptiaotn ) twoc onferoefnt chEeens g lIinssht itthufietr esi:tn r,9 68on, "FreeadnoNdme cesins tithLyey rFiocr md,i"r ecbtyPe rdo fesRsoobre rt Latnhgsebe acuominn; 1d 6,99 o,n" Foromfts h e Lyridci,r"e cbtyte hdee d itIotmr a.y b en otetdh aitnt he transfirtoicmoo nn ferteopn ucbeal tiiocnt,h aer tihcaldsei s appeafrreotdmh tei tclheo sfeontr h viosl utmhele,o rsesfl ect inagn u neasisnheassrb eydt heed itaonrdh icso lleaIgfu es. "forcmso"m etsr aicllionuogdf Ps l aton"itshLmey,"ri sce ems tos uggaeF sotr imn deEevde.in nt hpel urfaolri,mas t rouble somtee rfmo arg eneraotfci roint wihcohs a vree jecttheed traditdiiocnhaolto of"m fyo ramn cdo nteBnuttt.h "o umgohs t ofu sc ang eatl oqnugi htaep pwiiltyh otuhtse e coonfdt he twot ermwsec, a hna rdlyf otlrao lnkg aabp oouetam n dn ot usteh e ofirro snteo fi tcsu rreeqnuti valentsp-asttructure, terdne,s iogrnd,eW rh.i lseo moeft hemsoer fea shiotnearbmlse havteh aed vanotfan gobete iansgs ocwiiatt"hec do ntetnhte,y" arseu bjteotc htse a maeb usaesos t hcerri ttiecram\lsV .em ay nomtur detro d issbeucittfw , e c arornya nyd iscoaubrosuet workosfl iterwaetm uursedt,i reacttt enttoci eornt iatienm s abstrfarcottmeh dwe h olWeh.a tewvoerrwd e u steo i ndicate thawtea raet tentdo"i tnhgii nrs e lattioot nh iasn'nd'o "tt hat inr elattoit ohnat th,e"ir asel watyhspe o ssitbhialwtiem t ayy freezthele i offte h peo eimn tloi fefloersmsu la. Thea uthoofrth se sset udiiwtei slb,le r eadsieleyhn a,vn eo t succumtbote hdit se mptawthiioelnxe,e rcciosmipnlgfe rteee - Vlll FOREWORD <lorni nt ehicrh oiocfte e rminaonlmdoe ghtyo dV.ai rosua st he essayisns uajebrceat n idn e mhpasitsh,ye are cahalrtlae cirzed byfl exiibtiiylna pproaancbdhy i mmediaocfry e osnpest ot he poemsu ndrec onsdieraitno.R eardswe itahp enchfaondrte fi niitonm ay amustehm eslevse withd isecroivntgh ei mplied definitioof"n ofsr mo"r " ylric"o, rw itchh lalgeinntgh meo re exipcliotn seT.w oa ssuomnpmsta iyb e poionuattsce odm mon tom osti,fn oatl olft, h ceon tbrutio:rt shvei eowfs tcruturaes evne,ta so bsveerodr dri ent ehe xprieeeno cfr edainagp ome, and theo fpv oeiteicwco mopsitaisao " nf mo rofp rocdeine"g -to useC oeltrdhigee aenx prioensa sdopteidno neo ft he esasy.sI na nhoetwre,r eaodf" thsee nosfoe r rdi ent hpeoe m;" inat ihrodf,t hpeoe t"'wsa oyf c ondiuncagtp oem"a nodf h is "rievn-einotans h eg osea lgo"n;i na f uotrho,f " thfiegu rae poemma k.e"Cs oleriitad pgpee,ia ssr tsti,lh pler edsiingge inus oft weenttihe-nuctrcyr ciitsiomfp oerty. Thee sssaa yraer radn ignce hronloogiocradlea rn,dt hye havbeee ns eleedtc ots hohwo wp oteso fd ifferpeernoitdsh vae "fonudt hefiorr mh,a"v eru cskot utt hrei idnidvuila wbaye tweeinm iitoaantn d feredoomf" ocnduicntga pome."T he colciltoeans a w holteh,o uhgarhdl yc onstitauh tsiitrnoygo f poetirlysl,rtu aets mseoo ft hwea yisn w hicthh hesi otryo f poreyti si nt hper oscsoe fb einrge wriAtgtaeinin.ts houbled emhpsazietdh after edm oist hkeey nto:et hwer itmearkse it abunadntcllye arc hatnghiantfg o rmosfl ryidce macnhda ng infgo rsom fc rciitmsi ofl yirc. REUBEAN.B ROWER HarvaUrndi versity ]a nua1r9y7,0 � CONTENTS .. FOREWORD Vil ReubeAn. B rower HarvardU niversity DRAB AND GOLDEN LYRICS OF THE I RENAISSANCE G.K .H unter UniversoiftW ya rwick 19 THE RE-INVENTED POEM: ' GEORGE HERBERT S ALTERNATIVES HelenV end/erB ostoUnn iversity 11\UTATION AS FREEDOI\.f: I7 I 7 -1798 47 W. KW.i msatt YaleU niversity ' WORDSWORTH S WH ELMING TIDE: 75 COLERIDGE AND THE ART OF ANALOGY A.R eevPea rker CornelUln iversity THE INEVITABLE EAR: 103 FREEDOl\tI AND NECESSTIY IN LYRIC FORI\1, WORDSWORTH AND AFTER DonalldV es/inUgn iversoiftE ys sex WILDNESS OF LOGIC IN :MODERN LYRIC 127 TVillfHo.mP ritcbarAdm bersCto llege x CONTENTS LYRICA ND MODERNITY PauDle M an TheJ ohHnosp kiUnnsi versity SUPERVISINCGO MMITTEE,I 9 69 177 PROGRAM 179 REGISTRANTS 181

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