In this creative study of history and popular culture, W. D. King ingeniously illustrates how a long-forgotten instance in theatre history can reveal the very process of historical change itself.Late in the nineteenth century, Henry Irving, the leading actor-manager of the English stage, was scathingly attacked by George Bernard Shaw for his popular performance in Conan Doyle’s play, A Story of Waterloo . Shaw’s review was one of the first onslaughts in a war against the old guard of the English stage, against Victorianism, against England and Empire itself. King’s depiction of this event and its aftermath illuminates the period’s crucial values and cultural issues, and is presented in a manner that is both convincing and highly entertaining.

Henry Irving’s and quot;Waterloo and quot;: Theatrical Engagements with Arthur Conan Doyle, George Bernard Shaw, Ellen Terry, Edward Gordon Craig, Late-Victorian Culture, … Assorted Ghosts, Old Men, War, and History

Henry Irving’s and quot;Waterloo and quot;: Theatrical Engagements with Arthur Conan Doyle, George Bernard Shaw, Ellen Terry, Edward Gordon Craig, Late-Victorian Culture, … Assorted Ghosts, Old Men, War, and History PDF

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