0 DISCt:S 21568 $1.95 1';;cmodnivde rsaotnti hoean rsot f f ilwmi tfho rkteyyf il-mmakers litaendd,w itahr i.n trod1e.iscstaooynr yA d Sa • n rew ms tt iree latoifto hned irecttoco irn emaar tb,y -1 asp rimec reator •• 1areSwa rriosn,e o ft hem osti nfluenotfit ahle y oungecrr itihcas , gathereidn terviewwsi thf ortyo ft hec entrfailg uroefsm odernf il·m makingd,i scussitnhge iorw n worka nlft hef ilams a n art form. The directoMrisc:h elangeA:not onioni• Inmgar Bergman• Robert Bresso•n P �teBrr ook• luisR unue•l C laud'Ce habro• lG eorgCeu kor w ClivDeo nner• CarlD reyer• SergeEii senst • FedericFoe llini JohnF ord• Jean-LuGco dard• l�owarHda wks • AlfreHdi tcl'lcock JohnH uston• BusteKre aton• A kirKau rosaw•a F ritLza ng• David Lean• JosephL osey• ErnstL ubitsc• hR ouben Mamouli• aMna x Ophuls• PierP aoloP asoli•n Sia m Peckinpa• hA brahamP olonsky OttoP remingeNri·c holaRsa y• SatyajRiaty • LeniR iefenst·aJhela n . Renoi•r A laiRne snai•s R obertoR os�elli•n Jio sefv on Sterbnerg Ericvho nS trohe·'iP mrestoSnt urgeFsr·a ncoTirsu ffa·uOrts onW ell"s "Morei nsidien formatioonn f ilmd irectitnhga nh ase verb eenp re· viousalsys embleidn a singvloel umeT.h ei nterview�exrcl!sp't ional fardliarityt hewm ietdhi umv isibsltyi mulattehsed irecttoorg reater articlllate:tnbeosusth i sc ra.f"t FilNme w . � - DISCBUOSO /KPSUBLISBHYAE VDO N ANDREW SARRISw asb orn inB rookliynn· 1928a ndw as graduatferdo mC olumbia Colleigne1 951H.e i st her egulfialrm c ritic foTr heV illVaogieca end i sa m embeorf t he NewY orkF ilmC ritiCcisr'c alned a found­ ingm emberof t heN ationSaolc ieotfyF ilm CritiHces h.a sb eene ditor-ino-fcC hai­ef hierdsuC inemianE ngliasnhd a ssociate 'editoofrF ilCmu ltuAr em.em bero ft he Program Commoiftt theeNe e w YorkF ilm FestivaatLl i ncoClenn tehre,i sa lsfor e­ quental jyu roartfi lmf estivtahlrso ughout thew orldH.i sb ookisn cluTdHeE FILMS OF JOSEFV ON ST.ERNBERaGn dT HE_. AMERICANC INEMA:D IRECTORSA ND DIRECTION1S9,2 9-19M6r8..S arrliisv eisn New YorkC ityw ithh isw ifet,h ew riter Molyl Haskell. AVON BOOKS A divisioofn TheH earsCto rporation " 959E ightAhv enue New YorkN,e w York1 0019 Copyright1@9 67b yA ndrewS arris. Publishbeyad r rangementT hweiB tohb� bs-MerCroi.lIn,lc . LibraorfyC ongreCsast alCoagr dN um er:6 7-20455. Allr ighrtess ervwehdi,c ihn cludtehser ight tor eprodutcheib so oko rp ortiotnhse reionf anyf ormw hatsoevFeorr.i nformatiaodnd ress TheB obbs-MerCroi.lI,ln c.3,W est5 7tSht reet, New YorkN,. Y .1 0019 FirsPtr inti(nDgi scEudsi tioJnu)l,y 1,9 69 FourtPhr inting DISCUSB OOKS TRADEMARK REG.U .S. PATO.F F. AND" FOREIGN COUNTRIES,R EGISTEREDT RADEMARK- M ARCA REGISTRADAH,E CHO EN CHICAGO.U .S:A•. Printedt,hieUn . S.A. Thibso oik sd edicattoem dy mother, Themiwsh,o m anagetdok eempy soul alitvher ouygeha rosfd efeaantd d espair; tom y brothGeero,r gweh,o b elieivne d beauttoyt hee ndt;o a ltlh el itt6.lIm e magazitnheasht a vkee ptth ef aith despiitnea dequ:fiantaen cing. Acknowledgements ·�· ·Ia m deepliyn debtteodR oberMt. Ockenefo rh ise ditorial tenaciitnty h idsi fficuletn terprIi asme .i ndebtaelds too S har­ landT rotteBre,a triScep enceWra,l liAsm merman,J oseph WeillE,rn estC allenbaIcahn,C ameronJ,e an-LouCiosm olli, EdwinF ancherR,u diF ranchiG,o rdonH itchenPse,n elope HoustoMna,r shaLlelw isJ,o naMse kasG;e ralPdr atleJya,m es StollHeerr,m anG .W einberagn,dD anieWlo lf. Forp ermissitoonr epriinntt erviweiwtsh a,n d· statimeonnt s andb y,t hed irectmoernst ioneIda ,m grateftuolt hef ollowing: Cahierdsu C inema forAn tonionBie,r gmanD,r eyeEri,s enstein, FelliFnoir,d G,od ard,H awksO,p hul-sR,i efensantda hWle,l les. Copyright1©9 5159,51 69,51 89,61 39,61 59,6 6. Cahierdsu Cinemai nE nglisfohr translatoifo innst erviews witthh ea bovdei rectCoorpsy.r igh1t©9 6169,6 7. FilmC ommentf orP remingCeorp.y right1@9 65. Film CultfuorrBe u nuelC,u kor, LubiPtasscohl,iR nois,s ellini, von·S ternbervgo,n S troheiamn,dP restSotnu rgeCso.p yri©g ht 195159,5 8,1 916946.2 , FilmQ uarterfloyrH ustonK,e atonP,e ckinpaAhb,ra ham Po­ lanskayn,d S atyaRjaiyt. C opyrig©h t1 95189,61 29,6 139,6 4, 1965. Movief orB resson, Bunuel, Chabrol, DoLnannegr,, Hitchcock, andP remingCeorp.y righ1t©9 6129,61 39,6 5, 1966. Moviegofero rO phuls. Copyr1ig9h6t©6 . The Museumo fM odem Artfo r Von SternberCgo.p yright© . 1966. New YorkF ilmB ulletfionrG odardR,e.s naiTsr,u ffauCto.p y­ right1© 96129,61 39,6 4. GeralPdr atlfeoyrL eanC.o pyright1©9 65. Sighatn dS oundf orB rookC,h apliKnu,r osawLao,s eyN,i ch­ olasR ay,a ndR enoirC.o pyrig©h t1 95179,6 119,6 129,6 )3 , 1%� . �- Tabloef C ontents .IntroducTthieFo anl:al n dR isoef t heF ilmD irecto9r MichelanAgnetloon io.n i . 2.1 IngmaBre rgman . . 33 RoberBtr ess.o n • • . 46 PeteBrr ook. • .·. . . 51 LuiBsu nue.l • . . . • • • • . 6.5 ClaudCeh abrol 75 . . . • • • • • • CharlCehsa plin 86 • • • • • • GeorgCeu kor 92 • • • • • • . • • • • ClivDeo nner .1 27 • • • • • • • • • • . • CarlD reyer. .1 40 • • • • • • • • • • • . SergEeiis enstein • • • . • • • • .• 164 FederiFceol li.n i .\ . .1 75 . • • • • • • . • JohnF ord . .1 93 • . • • • • • • Jean-LGuocd ard. . . • . . . • _, . 2.0 2 HowardH awks. • • • • • • • • • • . •2 28 Alfedr Hitchco•c k• . • • • • . • .2 41 JohnH usto.n .2 53 • . • • • • • • BusteKre aton. . • • • • • . .2 74 AkirKau rosa.wa . . . . . . . .. ... .2 87 FritLazn g . .3 09 . • . . • • • • DaviLde an• . • • • • • • •. • 316 JosepLho sey( witNhi cholRaasy ) .3 22 • • • Ernst-Lubit.s .c h. . . . • • • 335 RoubeMna moulian 342 MaxO phuls .3 50 . .• • . PiePra olPoa sol.i ni 366 SamP eckinpah .3 71 • • • AbrahaPmo lonsky . .3 84 OttoP reminger 39·8· . . • • • • • • • • • • . NicholRaasy( witJho seLpohs ey) 322 • • • • • • • SatyaRjaiyt 413 . • • • . • • • • • • • • • JeaRne noi.r 419 • • • AlaiRne snais 434 • . LeniR iefens. ta• hl • • 453 RobertRoo ssellini 474 • • • • • • • • • • Josveofn S ternberg• . • • • • • .4 79 Ericvho nS troheim 500 • • • • • Preston Sturges 511 . • • • • • . • • • • Fran9oTirsu ffaut 520 • • • • • • • • • • OrsoWne lles 528 . . • • • • • • • • TheF alaln dR ise oft heF ilDmi rector by AndrewS arris GretaG arbo'csr eakiveeshti colfe t heT hirtiweass a n opuse ntitSlueds aLne nox�HFearla ln dR isFei.l mh is­ toriaannsda rchivhiasvters e peaterdelsyt ortehdec lassical cadencoef" Risaen dF allt"o t het itilned efiancoeft he plolitn ea ndt hea ggressiAvmeelryi caonp timiistmp re­ sentFsi.l md irectaorrecs o mparabtlose u dsSyu saLne n­ oxin thatth eitra rnishperdo fessiiomnaaglhe a sr egained itgsl osasf tear l onpge rioodf negalnedcd to wnrigdhits ­ reputIne .f actt,h er eneweadw areneosfts h efi lmd irector as a consciaorutsi issot n eo ft hem orei nteresctuilntgu ral phenomenoaft hep asdte cadTeh.i sr enewacla nb e de­ scribaesda risoen liyn t hem ostr elattievrem Tsh.e d irec­ torh asr isenno m oret hant hes unr iseAss. t hel attiesar figureo f speecdhe scrib:ti hne.gd iurnarlo tatioofn t he eartfhr omt he pooifnv ti ewo ft hef allihbulmea ne yet,h e pre-emineonftc hee d irecthoarsb eena matteorf p ublic andc ritical fancy. Liket hes unt,h ed irechtaorsa lwaybse eno utt heroen thes eta,n dh ist urn tob ew orshipheadsc omef ulcli rcle fromt hee arlideasytso fh iss olitparrey- eminebnechei nd primittirviep ocda merapso intaetda worlsdt ivlli sually virginTahli.s' intimaotfil oons itn nocenicsei nvokeidn BillWyi lderS'usn sBeotu levwahrendE ricvho nS troheim comman·dt shen ewsrecealm eratsot um on GloriSaw an­ sona ss hed escentdhses tairctaosu et temra dnesTsh.e re ism o:r:et hant hen umbinngo stalfgoiraa b urnt-sotuatir n thiss equencteh;e riesa lstoh ee vocatioofan n e raw hen movie-makwiansgm or.ien dividlueaslis,n dustrIitai ls. immaterwihaelt hetrh ereev erw asa n erao'f d irectional enlightenMmaennytfilm . historihaanvset estifiteothd e 9