Singer. Dancer. Movie star. Activist. Queer icon. Afrofuturist. Working class heroine. Time traveler. Prophet. Feminist. Android. Dirty Computer. Janelle Monae is all these things and more, making her one of the most fascinating artists to emerge in the twenty-first century. This provocative new study explores how Monae’s work has connected different media platforms to strengthen and enhance new movements in art, theory, and politics. It considers not only Monae’s groundbreaking albums  The ArchAndroid ,  The Electric Lady , and  Dirty Computer , but also Monae’s work as an actress in such films as  Hidden Figures  and  Antebellum , as well as her soundtrack appearances in socially-engaged projects ranging from  I May Destroy You  to  Us . Examining Monae as a cultural icon whose work is profoundly intersectional, this book maps how she is actively reshaping discourses around race, gender, sexuality, and capitalism. Tracing Monae’s performances of joy, desire, pain, and hope across a wide range of media forms, it shows how she imagines Afrofuturist, posthumanist, and postcapitalist utopias, while remaining grounded in the realities of being a Black woman in a white-dominated industry. This is an exciting introduction to an audacious innovator whose work offers us fresh ways to talk about identity, desire, and power.

Janelle Monae’s Queer Afrofuturism: Defying Every Label (Global Media and Race) PDF

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