Whatever people think about Kubrick’s work, most would agree that there is something distinctive, even unique, about the films he made: a coolness, an intellectual clarity, a critical edginess, and finally an intractable ambiguity. In an attempt to isolate the Kubrick difference, this book treats Kubrick’s films to a conceptual and formal analysis rather than a biographical and chronological survey.As Kubrick’s cinema moves between the possibilities of human transcendence dramatized in 2001: A Space Odyssey and the dismal limitations of human nature exhibited in A Clockwork Orange, the filmmaker’s style and “de-realizes and ” cinematic realism while, paradoxically, achieving an unprecedented frankness of vision and documentary and technical richness. The result is a kind of vertigo: the audience is made aware of both the de-realized and the realized nature of cinema. As opposed to the usual studies providing a summary and commentary of individual films, this will be the first to provide an analysis of the and “elements and ” of Kubrick’s total cinema.

Kubrick’s Total Cinema: Philosophical Themes And Formal Qualities PDF

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