This book is not a compilation of Do s and Dont s It seeks to organize thought on the part of photographers directors and models as to where posing begins and how it is accomplished Step by step we will take the major and minor components of the posing figure and show how they function in relation to the camera their possibilities and their limitations Once you know how the figure functions and the results thereby obtained it is up to you to decide whether the pose is desirable or undesirable for the job at hand For instance a certain hand position may be generally recognized as awkward or conspicuous This position would be undesirable if you wanted your picture to express grace and loveliness On the other hand it could very well serve to characterize a gangling teenager or call attention to an object or important copy in an advertisement This book is not meant to impose our personal opinions upon you Its intent is to increase your awareness of how symmetry of figure in pictures follows a consistent pattern That pattern when analyzed establishes basic truths that beat like a motif throughout prize winning and time tested pictures These truths are the fundamentals of which we speak

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