&lt;p&gt;High above the planet Harmony, the Oversoul watches. Its task, programmed so many millennia ago, is to guard the human settlement on this planet--to protect this fragile remnant of Earth from all threats. To protect them, most of all, from themselves.&lt;br&gt;&lt;/p&gt;&lt;p&gt;The Oversoul has done its job well. There is no war on Harmony. There are no weapons of mass destruction. There is no technology that could lead to weapons of war. By control of the data banks, and subtle interference in the very thoughts of the people, the artificial intelligence has fulfilled its mission.&lt;br&gt;&lt;/p&gt;&lt;p&gt;But now there is a problem. In orbit, the Oversoul realizes that it has lost access to some of its memory banks, and some of its power systems are failing. And on the planet, men are beginning to think about power, wealth, and conquest.&lt;br&gt;&lt;/p&gt;From Kirkus Reviews&lt;p&gt;First of a five-book series from the author of Xenocide, the Alvin Maker tales, etc. Planet Harmony, settled 40 million years ago following the destruction of Earth, is overseen by the Oversoul, an intelligent computer able to communicate telepathically with certain of the inhabitants. Set up to prevent war and ensure the colony's survival, the Oversoul is now breaking down, and for repairs must journey to Earth (where, the Oversoul theorizes, a new civilization surely will have arisen by now). Needing help from Harmony, the Oversoul first contacts young student Nafai of the matriarchal city Basilica, hoping to persuade him and others of his family to secure the Index--an ancient machine that will enable the Oversoul to talk directly with everyone. A major complication is that as the Oversoul decays, the mental blocks it implanted in Harmony's people eons ago to prevent war are also breaking down; and soon the women of Basilica find themselves trapped in a power struggle between two hostile male armies. Where Card focuses on children--as he often does here--he writes fluently and persuasively. Elsewhere, his adult characters and motivations are much less appealing. Neither is the ancient- computer backdrop, with its far-fetched Earth connection, particularly convincing. All in all, an uneven and irritatingly inconclusive starter. -- &lt;em&gt;Copyright ©1992, Kirkus Associates, LP. All rights reserved.&lt;/em&gt;&lt;/p&gt;Review&lt;p&gt;&quot;The man's versatility of style, subject and approach makes him unique in the SF field.&quot; --Anne McCaffrey&lt;br&gt;&lt;/p&gt;&lt;p&gt;&quot;One of the genre's most convincing storytellers.&quot; --&lt;em&gt;Library Journal&lt;/em&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&quot;Card is a master storyteller, and &lt;em&gt;The Memory of Earth&lt;/em&gt; is eminently readable.&quot; --&lt;em&gt;The Seattle Times&lt;/em&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&quot;As always, Mr. Card writes with energy and conviction.&quot; --&lt;em&gt;The New York Times Book Review&lt;/em&gt;&lt;br&gt;&lt;/p&gt;&lt;/br&gt;&lt;/br&gt;&lt;/br&gt;&lt;/br&gt;&lt;/br&gt;&lt;/br&gt;&lt;/br&gt;

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